As a part of the Soundplay Projects Artist Residency, I created a prototype of musical swing using a motion sensor. Many thanks to Ewan Sinclair and Bal Cooke at Soundplay Projects for hosting me, and their amazing help! Watch out for the Open Day on 6th June!
Co-created and performed in the beautiful and bold sensory theatre show for neurodiverse teenagers.


Photo credit: Tiu Makkonen
Conceived and Composed by Claire Willoughby
Co-Directed by Claire Willoughby and Greg Sinclair
Created with and performed by with Shiori Usui, Nerea Bello, Bryn Thomas, Jon Whitten and Claire Willoughby
Set and Costume Design – Emma Bailey
Sound Design – Rob Willoughby
Lighting Design – Katharine Williams
Choreographer – Dr Aby Watson
Costume Supervisor – Zephyr Liddell
Creative Access Consultant – Max Alexander
Dramaturg – Eszter Marsalko
Producer – Isy Sharman
Production Manager – Craig Fleming
Technical Stage Manager – Craig McNeill
What a wonderful time we shared with the babies and their carers in Kerry Cleland‘s Float (work-in-progress performance installation for babies and their carers) at The Warehouse, Fruitmarket Gallery in Edinburgh in the first weekend of May.
So grateful to have a chance to work with super talented, dedicated, kind and fun humans too. Until the next time! ![]()
Supported by Starcatchers.
Artists involved: Kerry Cleland, Hayley Earlam, Hailey Beavis, Alison Brown, Katy Wilson, Ben Winger & Shiori Usui



Huge thank you to Imaginate (https://www.imaginate.org.uk/) for helping me to start developing ideas for my sensory theter show for/with disabled young people in hydropool in 2022!
I was very fortunate to be able to have two R&Ds at Kingspark School in Dundee in Spring and Hazelwood school in Glasgow in Autumn 2022 with some incredible artists including;
Watch this space for further development of work with Independent Arts Projects and Oily Cart!




I am really honoured and humbled to receive such an amazing award with such a wonderful group of artists!
The full details can be found HERE:
(This photo was take by fantastic Emile Holba)
And here is my statement 🙂
I am thrilled to receive this generous award. I am also grateful to the people who have supported and encouraged me in my career. Without them, I would not be where I am now. The award will open up so many possibilities. As a composer, it will help me create a more collaborative working environment. Particularly, I feel passionate about creating works for and with neuro-diverse audiences, babies/toddlers and their carers and people in later life care. As a mother of very young lives, the award will also help me to work more flexibly. I would like to create positive energy cycles that reach as many people as possible.
It’s been really wonderful to work with the Kepten Trio! What a performance!
Watch the video HERE:

Commissioned by Chamber Music Scotland.
Film by Anne Milne.
Really happy that “Deep” is going to be peformed again by BCMG as a part of PRS Foundation’s Resonate programme.
UK orchestras to champion 11 of the best pieces of British orchestral music from the past 25 years through PRS Foundation’s Resonate programme.
You can read about more from HERE.